A dinner party between two couples experiencing eleven different endings, all of which points to the same conclusion - the best possible life comes from the one lived the most in the present.

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game of improvisation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solarized image reminiscent of thick strokes of a paintbrush.” - Philippe Azoury

During the 2020 Artsakh War, our community came together for a special live concert event to raise vital funds for humanitarian efforts and for a moment of unity. Rock For Artsakh streamed on Facebook, YouTube and Instagram and was viewed over 1 million times the day of its premiere on October 28, 2020. During the live stream, our community raised a whopping $3,106,947.50, which was doubled thanks to the generosity of anonymous contributors and donated to ArmeniaFund to build 60 houses in Artsakh's Askeran region for families displaced by the war.

A look at the motion picture production code and its effects on Hollywood.

Idrissa lives in the suburbs of Dakar, Senegal. As a result of budgetary restrictions imposed by the IMF, then headed by Dominique Strauss-Kahn, he lost his job as a civil servant. Since then, Idrissa has been looking for work, without success. His pride as an African man is all the more affected by the fact that he is now entirely dependent on his wife, Viviane, who somehow manages to support the family through her medical practice. Aminata (Idrissa and Viviane’s daughter) and Moussa, two young students in love with each other, also see their lives disrupted by the economic situation imposed on the country. After yet another humiliation, Idrissa, who holds Strauss-Kahn responsible for his misfortune, decides to go and see a marabout to prepare his revenge…

A family of farmers wage war against a group of unscrupulous, corrupt speculators who are trying to get their hands on their land.

A deceptive motivational speaker becomes entangled in a deadly game with a fan who suggests they kill each other's spouses.

Gordon, with Eleanor Erdman, delivers a brilliant and blistering assault of distorted guitar noise. The two of them gyrate on a stage barely more than a few square metres in size. Across three screens the camerawork feels as claustrophobic as the stage looks.

The 1998 dramatization of a 1970s UK miscarriage of justice, centered around Stefan Khizcho, and his mother's subsequent battle for his freedom.

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